Haleh Redjaian
Haleh Redjaian (*1971 in Frankfurt/Main) first studied art history at the Goethe University in Frankfurt and then drawing, printmaking and sculpture at the Royal Academy of Fine Arts in Antwerp, where she completed her studies in fine arts. In Berlin, she worked for eight years as an assistant to the well-known Venezuelan artist Arturo Herrera. Her work also draws on the diversity of two cultural areas, combining the geometric tradition of Western modernism with Persian ornamentation in her line drawings on paper, on hand-woven carpets and in expansive installations. Although on paper she often draws her lines with a ruler, on the carpets and in her room installations with straight-stretched threads, her work also focuses on the disruption and inadequacy of the grid, an ordered system that is never absolutely dominant, but also not purely functional. In her textile works, traditional carpets serve as the basis for a complex, multi-layered structure of threads that the artist carefully attaches to the surface to create abstract patterns. She allows irregularities and deviations in this otherwise strict order. Her formal inventions are always directly related to objects, architectural fragments and the nature of her immediate surroundings.
Born 1971 in Frankfurt/Main. Lives and works in Berlin.
Study of art history at the Goethe University Frankfurt |
Grants / awards
2012 | Goldrausch Künstlerinnenprojekt / Berlin |
2015 | Recherchestipendium / Berliner Senat |
2019 | Kunstfonds / Berliner Senat |
2020 | Reisezuschuss für Auslandsvorhaben / Berliner Senat, Projekt/Ausstellung in Vancouver |
2021 | Reisestipendium Hessische Kulturstiftung, Iran / Senegal |
Solo exhibitions
2023 | crumple – unfold – crumple – unfold – crumple, Isabelle Borges & Haleh Redjaian, Galerie Nanna Preußners, Hamburg (D) |
2020 | White Leaves One and Two on Their Place, Gallery Isabelle van den Eynde, Dubai (UAE) |
2019 | Some Things Last A Long Time, Kajetan Berlin (D) |
2018 | Chinamen of Oklahoma, Haleh Redjaian & Mathias Prenen, Whitehouse Gallery, Lovenjoel (B) |
2016 | in-sequence II, Federkiel München (D) |
2015 | In-Between Spaces,Gallery Isabelle van den Eynden, Dubai (UAE) |
2013 | Same Same but different, Vincenz Sala, Berlin |
2012 | Make the two into one, Künstlerhaus Bethanien, Berlin |
2011 | Mersin, Masa Berlin, Betahaus, Berlin |
2003 | Ijl, Galerie Koraalberg, Antwerp |
2002 | Gallery S&H De Buck, Gent |
Group exhibitions (selection)
2022 | The Tide is High, Kunsthaus Wiesbaden (D) |
2022 | Clara Brörmann, Caroline Kryzecki, Haleh Redjaian, Anja Schwörer Schwarz Contemporary, Berlin (D) |
2020 | Caroline Corleone | Theresa Eipeldauer | Anna Meyer | Muntean/Rosenblum | Haleh Redjaian | Esther Stocker | Katja Strunz | Sofie Thorsen | Jenni Tischer, Gallery Krobath, Vienna (AU) |
2019 | Cross the Line, Galerie Rupert Pfab, Düsseldorf (D) |
2018 | High Noon, Arratia Beer Galerie, Berlin (D) |
2017 | L’horreur du plein, Selma Feriani Gallery, Tunis (Tun) |
2016 | Kaleidoskop, l’oiseau présente...,Ballhaus Ost Berlin (D) |
2015 | Arcadia Unbound, Funkhaus Berlin (D) |